X Files, The (1998)
Mystery | Sci-Fi | Thriller
Thirty-seven thousand years ago, a deadly secret was buried in a cave in Texas. Now the secret has been unleashed. And its discovery may mean the end of all humanity.
"The plague to end all plagues..." When a terrorist bomb destroys a building in Dallas, Texas, FBI Agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) are drawn into a dangerous conspiracy surpassing anything they've ever encountered.
With the dubious assistance of a paranoid doctor (Academy Award winner Martin Landau), Mulder and Scully risk their careers and their lives to hunt down a deadly virus which may be extraterrestrial in origin, and could destroy life on earth. Their pursuit
of the truth pits them against the mysterious Syndicate, powerful men who will stop at nothing to keep their secrets safe, leading the agents from a cave in Texas, to the halls of the FBI and finally to a secret installation in Antarctica which holds the
greatest secret of them all.
The X-Files moves to the big screen, offering, "everything a great action/thriller should: intelligence, excitement and awesome special effects," --Sixty Second Preview.
User Comment: Ben Walsh (ben.walsh@mcr-evening-news.co.uk) Manchester, England • When it began you may have thought this paranoid adventure's destiny, in say fifteen years time, was a slot after The Waltons on a Sunday afternoon.
A laughable cult to be derided like The Invaders, Land of the Giants or, indeed, Lost In Space. Wrong. It has matured into the most revered SF phenomenon since Star Trek.
Forsaking opening credits or a slow build-up, director Rob Bowman propels us on to a roller-coaster ride of moderately daft spooky shenanigans and grand effects. All the same elements from the TV series are here, shadowy high-ranking figures controlling
the planet - "These people have been secretly negotiating a planned Armageddon", plenty of furtive glances and hellish beasties from the dawn of time. Plus we have the two small box giants, Mulder and Scully , coming across marvellously well on the big
screen.
In fact, for a show which thrives on a claustrophobic feel, this wide-screen treatment is cleverly handled. Bowman arms his two leads with a witty, edgy script, and pits them against the pervading evil through a combination of Aliens, James Bond and
Alfred Hitchcock action sequences.
Summary: A laughable cult to be derided like The Invaders, Land of the Giants or, indeed, Lost In Space. Wrong.
--- BAWB ---
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