X1: X-Men (2000)
Action | Adventure | Sci-Fi | Thriller

They are the children of the atom, the next link in the chain of evolution. Each was born with a unique genetic mutation, which at puberty manifested itself in extraordinary powers: Cyclops' (James Marsden) eyes release an energy beam that can rip holes through mountains; Jean Grey's (Famke Janssen) strength is both telekinetic and telepathic; and Storm (Halle Berry) can manipulate all forms of weather.

These genetically gifted human beings are the world’s newest and most persecuted minority group. Amidst an increasing climate of fear and bigotry, one enlightened individual, Professor Charles Xavier, has founded a school and safe haven for these powerful outcasts - outcasts who are feared and loathed by those who cannot accept their differences.

User Comment: A.J. LaFollette from Rockville, MD, 16 August 2000 • "X-Men" is a rare treat-- a blockbuster that lives up to its hype and a comic book adaptation that hits the mark.

Along with Tim Burton's "Batman", this stands head and shoulders above all other superhero movies. It's a genre that's usually synonymous with silly, campy, cartoonish crap, but Bryan Singer delivers a long-awaited exception to the rule. "X-Men" is smart, stylish, and very cool... one of the better sci fi/fantasy films of the last decade.

Of course, it helps to have good source material.

The X-Men comics, which originated in the 1960s, are more politically progressive and morally complex than older superhero stories such as "Superman" where the heroes are always right, and truth, justice, and the American Way always prevail. The series is a well-crafted parable about individuality and discrimination. The characters are mutants--struggling to find a place in a society that rejects them. Its primary villain, Magneto, isn't an evil lunatic-- he's a sympathetic character, a misguided revolutionary playing Huey Newton to Professor Xavier's Martin Luther King. The iconic character, Wolverine, is a beer-swilling anti-hero who cares little for ideals and fights only to protect himself and his loved ones. The female characters are as powerful and important as the men, rather than being mere love interests.

Rather than making just another flashy explosion-per-minute-special-effects-extravaganza, Singer practices the lost arts of character and plot development. As a result, the movie has a far greater depth than the average big budget summer flick. The acting is also quite good on the whole. Hugh Jackman, who plays Wolverine, is fantastic--a bona fide Clint Eastwood caliber badass. Some of the dialogue is fairly cheesy, but in the hands of Ian McKellan and Patrick Stewart it sounds quite convincing. (Stewart has made a career out of making lame dialogue sound cool.)

Hard-core fans of the comics have complained about the omission of several popular X-Men. This is silly. A movie that gave the background on every character in the comic books would be 6 hours long. There will be plenty of time to develop new characters in the forthcoming sequels. Fans have also complained about the casting of Anna Paquin as Rogue. I disagree. Rogue is unable to touch another human being without harming them--she would not realistically act like a confident, sassy warrior. Paquin did a tremendous job of conveying the fear and isolation that such a young woman would feel. She will undoubtedly grow into the part in future movies.

In the end, "X-Men" is a comic book movie. Superpowers are explained with silly pseudoscientific babble, the plot revolves around a fairly ridiculous take-over-the-world scheme, and names like "Magneto" are spoken with a straight face. Don't read all the glowing reviews and expect Citizen Kane. But don't underestimate "X-Men" either. It is an intelligent movie that people will enjoy whether or not they are familiar with the comic.

Summary: Smart, stylish, and very cool.

--- BAWB ---

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