Proof (2005)
Drama
From the acclaimed director of Shakespeare In Love, Proof stars Oscar(R) winners Gwyneth Paltrow (Best Actress, Shakespeare In Love, 1998) and Anthony Hopkins (Best Actor, Silence of the Lambs, 1991), along with
Jake Gyllenhaal (Jarhead, Brokeback Mountain) and Hope Davis (About Schmidt).
It's a powerful story of a young woman haunted by her father's past and the shadow of her own future. Catherine (Paltrow) has devoted years to caring for her brilliant but mentally unstable father, Robert (Hopkins), a mathematical genius. But when his
genius slips away, he leaves behind a mystery that affects her life ... and her own sanity. Based on the Pulitzer Prize-winning play.
Storyline: The daughter of a brilliant but mentally disturbed mathematician (recently deceased) tries to come to grips with her possible inheritance: his insanity. Complicating matters are one of her father's ex-students who
wants to search through his papers and her estranged sister who shows up to help settle his affairs. Written by B.B.
User Comment: maestro7PL from Sherman Oaks, 27 September 2005 • Seeing this movie makes one realize how truly dumb and unchallenging most Hollywood movies, aimed at young teenage boys, are. The script was brilliant, and all four
actors do a fine job of bringing the story to life. I too saw Mary Louise Parker in the stage version, and though I slightly preferred her to Gwynneth, the latter nonetheless was fine as the gifted and disturbed Catherine. I thought Jake Gyllenhaal was
very good in his role, but too good-looking and hunky to play a geeky mathematician. Compared to the play, his relationship with Catherine developed a little too quickly in the movie, considering what a loner Catherine had been up to this time. Hope Davis
was great as the more "normal," but controlling sister Claire, her second best performance ever, after the under-appreciated one she gave in "American Splendor" (be sure to rent THAT movie if you haven't seen it), and she manages to be more sympathetic
than the actress who played her in the stage version. Hopkins as the brilliant, mentally ill mathematician-father was fine, though not particularly special in the role.
I only have two quibbles. One, there was not enough mathematics in the movie OR the play. Everyone has studied advanced math, so why not challenge the audience a little more and let us in on what the proof is actually about. It is kind of like watching a
movie about a musician and not letting the audience hear any of the music! Two, it is not believable that in a crucial scene towards the end of the movie, that neither Catherine and especially the more materialistic Claire would not care what ultimately
happens to the proof, especially when being told of its possible value.
Aside from these flaws, if you are looking for intelligent fare and a break from mindless action films and the mostly unfunny comedies of the past summer, you owe it to yourself to see this film. The theater I saw it in was almost empty, so I fear it is
not doing too well. Remember that every ticket you buy is a vote for more of that kind of film being made. Let's hear it for more stimulating and mature films like this one!
Summary: Brilliant!
Editor's Note: Elegantly adapted from David Auburn's Pulitzer Prize-winning play, Proof works on so many levels that it shines like a perfected equation. Gwyneth Paltrow previously played her role onstage, and returns here as
Catherine, the troubled 27-year-old daughter of Robert, a once-brilliant mathematician (Anthony Hopkins, appearing in flashbacks and imagined visions) who has recently died. What Robert has left behind is an emotionally challenging legacy of genius,
mental illness, and unfinished business in the Chicago home where Catherine had cared for him during his erratic final years. Catherine fears she may have inherited her father's unstable condition, and her sister Claire (Hope Davis) arrives from New York
with smothering concern and a selfish but well-meaning agenda, while Robert's student and assistant Hal (Jake Gyllenhaal) hopes to find lasting proof of Robert's enduring genius in the piles of notebooks he left behind. Steeped in the authentic atmosphere
of advanced academia, revelations of love, fear, regret, and potential recovery unfold with such graceful complexity that Proof plays like a thriller, with all the action taking place in the admirable hearts and minds of its characters. The film also has
a lot to say about the potential tragedy of assuming mental illness where none exists, while leaving just enough doubt to keep you wondering -- a tribute to the exceptional performances of a first-rate cast, and particularly to Paltrow, whose reunion with
Shakespeare in Love director John Madden proves equally rewarding for entirely different reasons. --Jeff Shannon
--- JOYA ---
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