Passion Of The Christ, The (2004)
Drama

--- Subtitled ---

The Passion Of the Christ focuses on the last twelve hours of Jesus of Nazareth's life. The film begins in the Garden of Olives where Jesus has gone to pray after the Last Supper. Jesus must resist the temptations of Satan. Betrayed by Judas Iscariot, Jesus is then arrested and taken within the city walls of Jerusalem where leaders of the Pharisees confront him with accusations of blasphemy and his trial results in a condemnation to death.

Storyline: A depiction of the last twelve hours in the life of Jesus of Nazareth, on the day of his crucifixion in Jerusalem. The story opens in the Garden of Olives where Jesus has gone to pray after the Last Supper. Betrayed by Judas Iscariot, the controversial Jesus--who has performed 'miracles' and has publicly announced that he is 'the Son of God'--is arrested and taken back within the city walls of Jerusalem. There, the leaders of the Pharisees confront him with accusations of blasphemy; subsequently, his trial results with the leaders condemning him to his death. Jesus is brought before Pontius Pilate, the Roman Governor of Palestine, for his sentencing. Pilate listens to the accusations leveled at Jesus by the Pharisees. Realizing that his own decision will cause him to become embroiled in a political conflict, Pilate defers to King Herod in deciding the matter of how to persecute Jesus. However, Herod returns Jesus to Pilate who, in turn, gives the crowd a choice between which prisoner they would rather to see set free--Jesus, or Barrabas. The crowd chooses to have Barrabas set free. Thus, Jesus is handed over to the Roman soldiers and is brutally flagellated. Bloody and unrecognizable, he is brought back before Pilate who, once again, presents him to the thirsty crowd--assuming they will see that Jesus has been punished enough. The crowd, however, is not satisfied. Thus, Pilate washes his hands of the entire dilemma, ordering his men to do as the crowd wishes. Whipped and weakened, Jesus is presented with the cross and is ordered to carry it through the streets of Jerusalem, all the way up to Golgotha. There, more corporal cruelty takes place as Jesus is nailed to the cross--suffering, he hangs there, left to die. Initially, in his dazed suffering, Jesus is alarmed that he has been abandoned by God his father. He then beseeches God. At the moment of his death, nature itself over-turns. Written by Anthony Pereyra {hypersonic91@yahoo.com}

User Comment: Jarofclay74 Montreal, Canada • I attended today a special pre-screening of "The Passion of the Christ" in Montreal, organized by ALPHA Canada, the Evangelical Pentecostal Church and Equinox Films, the Canadian distributor of the film (over 600 leaders and representatives from all Christian denominations attended the event). The copy we saw was not the final cut of the movie, but was 95% percent finished... but even so, it was quite a powerful and awe-inspiring experience! The film is as brutal as it is extraordinary. As a Catholic, I could not help but be inspired/horrified by the images of Christ's suffering, and I was moved to tears countless times. It is artistically impressive and the acting is perfect. It is like you are there. Indeed, as someone said : "It is as it was" !

"We esteemed him stricken, smitten by God, and afflicted. But he was wounded for our transgressions, he was bruised for our iniquities; upon him was the chastisement that made us whole, and with his stripes we are healed." (Isaiah 53: 4b-5, RSV).

(As for the controversy, I didn't find the film Anti-Semitic--- unless you consider the Gospels anti-semitic!--- ; on the contrary, there are so many good, compassionate Jews surrounding Christ with their love and support! You feel their pain and you suffer with them. If anything, it's the Italians who should be worried... the Romans are quite blood-thirsty!) AVE CRUX, SPES UNICA!

PG : Graphically brutal depiction of Christ's passion and death.

Summary: Brutal, powerful and moving.

Editor's Note: After all the controversy and rigorous debate has subsided, Mel Gibson's The Passion of the Christ will remain a force to be reckoned with. In the final analysis, "Gibson's Folly" is an act of personal bravery and commitment on the part of its director, who self-financed this $25-30 million production to preserve his artistic goal of creating the Passion of Christ ("Passion" in this context meaning "suffering") as a quite literal, in-your-face interpretation of the final 12 hours in the life of Jesus, scripted almost directly from the gospels (and spoken in Aramaic and Latin with a relative minimum of subtitles) and presented as a relentless, 126-minute ordeal of torture and crucifixion. For Christians and non-Christians alike, this film does not "entertain," and it's not a film that one can "like" or "dislike" in any conventional sense. (It is also emphatically not a film for children or the weak of heart.) Rather, The Passion is a cinematic experience that serves an almost singular purpose: to show the scourging and death of Jesus Christ in such horrifically graphic detail (with Gibson's own hand pounding the nails in the cross) that even non-believers may feel a twinge of sorrow and culpability in witnessing the final moments of the Son of God, played by Jim Caviezel in a performance that's not so much acting as a willful act of submission, so intense that some will weep not only for Christ, but for Caviezel's unparalleled test of endurance.

Leave it to the intelligentsia to debate the film's alleged anti-Semitic slant; if one judges what is on the screen (so gloriously served by John Debney's score and Caleb Deschanel's cinematography), there is fuel for debate but no obvious malice aforethought; the Jews under Caiaphas are just as guilty as the barbaric Romans who carry out the execution, especially after Gibson excised (from the subtitles, if not the soundtrack) the film's most controversial line of dialogue. If one accepts that Gibson's intentions are sincere, The Passion can be accepted for what it is: a grueling, straightforward (some might say unimaginative) and extremely violent depiction of the Passion, guaranteed to render devout Christians speechless while it intensifies their faith. Non-believers are likely to take a more dispassionate view, and some may resort to ridicule. But one thing remains undebatable: with The Passion of the Christ, Gibson put his money where his mouth is. You can praise or damn him all you want, but you've got to admire his chutzpah. --Jeff Shannon -- This text refers to the Theatrical Release edition.

--- JOYA ---

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