Night Of The Living Dead (1968)
Horror | Sci-Fi | Thriller
Tagline: If it doesn't scare you, you're already dead!
Still today Night Of The Living Dead is one of the most gruesome and terrifying films ever made.
Guaranteed to frighten you out of your wits, this is the story of seven people barricaded inside a farmhouse while an army of flesh-eating zombies roams the counrtyside.
An unrelenting shockfest that becomes a real cult classic. Don't watch it alone.
Please note: Many of these classics were produced in the early years of filmmaking. This means that the primitive audio recording technique will be more noticeable in the DVD format, so will glitches in the picture. These movies have been rescued from the
film vaults in most cases and have not been restored. They are valuable as historical record, but won't push the envelope of the digital medium.
Storyline: Barbra and her brother Johnny travel by car from Pittsburgh to the countryside to visit the gravestone of their father in the cemetery. Out of the blue, they are attacked by a strange man and Johnny is murdered. Barbra
runs and releases the brake of Johnny's car since the keys are in his pocket, and flees to an isolated farmhouse, where she locks herself inside. Barbra is in shock and soon she finds a man, Ben, who is also escaping from the inhuman creatures and he
reinforces the doors, windows and openings in the house. He also finds a shotgun and a radio and they learn that the radiation from a satellite that was returning from Venus has somehow reactivated the brain of the dead. Then they find five humans hidden
in the basement: Harry Cooper, his wife Helen and their daughter Karen that is sick; and Tom and his girlfriend Judy. Harry has an argument with Ben, since he believes that the basement is the safest place for them and Harry goes not agree. Along the
night, the tension ... Written by Claudio Carvalho, Rio de Janeiro, Brazil
User Comment: mstomaso from Vulcan, 15 May 2005 • This landmark 1968 horror-shocker is a great example of what can be done with a limited budget, a simple idea, and some dedicated and talented participants. Very nicely shot,
mostly well acted, NOTLD grabs your attention from the very beginning to the very end - and what a classic end it is.
The story begins with Barbara (Judith O'Dea) and her brother visiting the grave of a friend of their mother, and takes off almost immediately, as they are attacked by a horde of cannibalistic zombies. Narrowly escaping, but losing her emotional balance in
the process, Barbara escapes to a house a bit farther down the road where she meets Ben (Duane Jones), the hero of the film. They discover a family with a sick little girl and a young couple in the basement of the house and they all get to work
barricading themselves in and preparing weapons and other defenses. The rest of the story concerns the group dynamics between these survivors as the dead close in on their refuge, the story of what is going on in the rest of the USA - revealed through TV
reportage and radio broadcasts, and sheer survival. The human side of this film is an interesting and accurate character study concerning what happens to people whose very lives are threatened.
The horror of this film is, unlike a lot of its recent descendants, less a matter of blood and gore than a matter of the real active horror of realistically depicted scenes of murder, death and cannibalism. Though the black and white footage involving
blood and gore is certainly effective, there may not be quite enough of it for today's average horror fan. The photographic techniques of this film are innovative and powerful - showing just enough of the sheer hideousness of the film's basic concepts to
disturb viewers, but not enough to allow them to detach from the film's protagonists.
I strongly recommend this film to anybody interested in the art of film making, and to those who enjoy the horror genre, though it is hard to imagine any serious horror fan who hasn't already seen this.
Summary: Low budget, creepy and unique - legendary for a reason.
User Comment: codmon from USA, 3 February 1999 • Romero is sublime. His ability to take a small budget and turn it into a stratosphericly giant film is unparalleled. This is one of the best apocalypse films ever (along with the
rest of the trilogy). The zombies represent a slow moving enemy. It is easy to escape them. You have only to fear your own mistakes. On these the zombies will capitalize. One of the best aspects of this film is the lead character. Romero has always
presented intelligent non-stereotypical black characters in his films. This film was made in 1968 while civil rights tensions were high, and the most "in control" character in the whole movie is a black man. If you can get past a couple of cheesy
supporting performances, this is one of the best horror films ever.
Summary: Classic Horror
--- JOYA ---
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