Midnight Cowboy (1969)
Drama

The first, and only, X-rated film to win a best picture Academy Award.

A "cowboy," Joe Buck, moves to New York City from Texas to make his fortune as a hustler servicing rich Park Avenue women. Shortly after arriving, he is hustled by homeless con man Ratzo Rizzo, who had said he would manage him for a $20 fee. Bent on getting his money back, Buck finds the rapidly deteriorating Rizzo, ends up feeling sorry for him, and moving into Rizzo's room in an abandoned building to care for him. The two remain hopeful of striking it rich with Rizzo managing Buck's career, but it soon becomes obvious that they are no match for the urban jungle.

Storyline: Texas greenhorn Joe Buck arrives in New York for the first time. Preening himself as a real 'hustler', he finds that he is the one getting 'hustled' until he teams up with a down-and-out but resilient outcast named Ratso Rizzo. The initial 'country cousin meets city cousin' relationship deepens. In their efforts to bilk a hostile world rebuffing them at every turn, this unlikely pair progress from partners in shady business to comrades. Each has found his first real friend. Written by alfiehitchie

User Comment: capkronos (capkronos00@hotmail.com) from Ohio, USA, 10 June 2002 • In my opinion, this is one of the greatest movies ever made in America and it deserved every single award it won and it's place on the AFI Top 100 list (though it's shamefully too low on the IMDB Top 250 list, at only #183 as of this writing). If you enjoy acting of the highest calibre (Voight and Hoffman are a superb match), well-drawn characterizations and inventive direction, editing and cinematography, you'll love this just as much as I did. Schlesinger paints a vivid, always credible picture of the late 60s New York City scene and it's many victims struggling to overcome personal demons and survive amidst the amorality, poverty and hopelessness of 42nd Street, New York City.

The filmmaking techniques employed here brilliantly capture the feel of the underground New York film movement (and of the city) and are nothing less than dazzling. I've seen many ideas (including the rapid-fire editing, the handling of the voice-over flashbacks, the drug/trip sequences and the cartoonish face slipped in during a murder scene to convey angst and terror) stolen by other filmmakers.

The relationship between Joe and Ratso is handled in such a way as to be viewed as an unusually strong friendship OR having it's homosexual underpinnings. I think the director handled this in a subtle way not to cop out to the censorship of the times, but rather to concentrate his energies on the importance of a strong human connection in life, whether it be sexual or not.

MIDNIGHT COWBOY is a brave, moving film of magnitude, influence and importance that has lost absolutely none of it's impact over the years, so if you haven't seen it, you're really missing out on a true American classic. I recommend this film to everyone.

Summary: An all-time favorite of mine.

User Comment: *** This review may contain spoilers *** Wayne Malin (wwaayynnee51@hotmail.com) from United States, 3 March 2004 • Young, handsome, muscular Joe Buck (Jon Voight) moves from Texas to New York thinking he'll make a living by being a stud. He gets there and finds out quickly that it isn't going to be easy--he goes through one degrading experience after another. At the end of his rope he hooks up with crippled, sleazy Ratso Rizzo (Dustin Hoffman). Together they try to survive and get out of the city and move to Florida. But will they make it?

Very dark, disturbing yet fascinating movie. Director John Schelsinger paints a very grimy portrait of NYC and its inhabitants. In that way it's dated--the city may have been this bad in 1969 but it's cleaned up considerably by now. He also uses every camera trick in the book--color turning to black & white; trippy dream sequences; flash forwards; flash backs (especially involving a rape); shock cuts; weird sound effects...you name it. It keeps you disoriented and off center--but I couldn't stop watching.

There isn't much of a story--it basically centers on the friendship between Rizzo and Buck. There is an implication that they may have been lovers (the final shot sort of shows that). It's just a portrait of two damaged characters trying to survive in a cold, cruel, urban jungle.

This was originally rated X in 1969--the only reason being that the MPAA didn't think that parents would want their children to see this. Nevertheless, it was a big hit with high schoolers (back then X meant no one under 17). It also has been the only X rated film ever to win an Academy Award as Best Picture. Hoffman and Voight were up for acting awards as was (mysteriously) Sylvia Miles who was in the picture for a total of (maybe) 5 minutes! It was eventually lowered to an R (with no cuts) when it was reissued in 1980.

Also the excellent song "Everybody's Talkin'" was introduced in this film--and became a big hit.

A great film---but very dark. DON'T see it on commercial TV--it's cut to ribbons and incomprehensible.

Summary: Depressing but excellent

User Comment: (jimross471@aol.com) Wales, UK • This is one of my personal favourites of all time, that more than deserved it's Oscar for Best Picture. Jon Voight and Dustin Hoffman (both nominated for Best Actor) bring in performances that are brilliant , funny and most of all touching. You can feel real sympathy for these characters and the situation they are in. John Barry's theme is really good, but I prefer Harry Nielson's version of "Everybody's Talkin' at me", which used many time in the film, but never more effective than the opening title. The ending has to be one of the best in cinema history, and one of the most touching also.

Summary: Classic

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