Faust (1926)
Fantasy | Horror

"No Director Ever Succeeded In Conjuring Up The Supernatural As Masterffully As This." -Lotte Eisner, The Haunted Screen

Fresh from the triumphant releases of Nosferatu and The Last Laugh, F.W. Murnau was given carte blanche to direct this epic fable of the supernatural. Freed from the burden of plausibility by the story's fantastic premise, Murnau summoned forth a tempest of cinematic brimstone so that every scene ripples with reckless ingenuity. Utilizing the full resources of the UFA Studios (including elaborate miniature models and experimental special effects), Faust captures the intensity of a medieval universe stepped in religious fanaticism and pagan alchemy. Black-hooded pallbearers lead a torch-lit procession through a plague-stricken village literally cloaked by the wings of Satan. Crowded landscapes materialize and vanish in wisps of smoke, daemonic creatures soar through the heavens and earthly beings are tormented by the vaporous spirits that permeate the dungeon-like homes and Caligari-esque rooftops of this shadow world. In the eye of this infernal maelstrom is the great Emil Jannings (Othello), who sets off the film's sound and fury with a diabolically engaging performance, making Faust (in the words of the New York Times) "A radiant jewel...a masterpiece!"

User Comment: The_Void from Beverley Hills, England, 9 January 2005 • F.W. Murnau's telling of the classic German legend, 'Faust' is a masterpiece to behold. From both the technical and story standpoint, the film excels and despite being nearly eighty years old, Faust still stands tall as one of the greatest cinematic achievements of all time. F.W. Murnau has become best known among film fans for 'Nosferatu', but this is unfair to the man. While Nosferatu is something of an achievement; it pales in comparison to this film in every respect. Faust is far more extravagant than Murnau's vampire tale, and it shows his technical brilliance much more effectively. The story is of particular note, and it follows a German alchemist by the name of Faust. As God and Satan war over Earth, the Devil preaches that he will be able to tempt Faust into darkness and so has a wager with God to settle things. Satan sends Mephisto to Earth to offer Faust an end to the plague that is making it's way through the local population, and eternal youth, in return for Faust's soul...

The way that Murnau creates the atmosphere in the film is nothing short of amazing. The lighting and use of shadows is superb, and helps to create a strong sense of dread at the same time as making the film incredibly easy on the eyes. It's the music that's the real star of the show, however, as it's absolutely fantastic and easily ranks up with the greatest scores ever written. The scenery is expressionistic and gives the film a strong sense of beauty (which is increased by the excellent cinematography), especially in the darker scenes; all of which are an absolute delight to behold. The story is undoubtedly one of the most important ever written, and within it is themes of good, evil, religion and most importantly, love. The points are never hammered home, and instead they are allowed to emancipate from the centre of the tale, which allows the audience to see them for themselves rather than being told; and that's just the way a story should be.

It's hard to rate the acting in silent cinema as being a member of a modern audience, I'm used to actors acting with dialogue and judging a performance without that is difficult. However, on the other hand; silent acting is arguably more difficult than acting with dialogue as the only way to portray your feelings to the audience is through expressions and gestures, and in that respect; acting is just another area where this film excels. In fact, there isn't an area that this film doesn't excel in and for that reason; it easily ranks up with the greatest films ever committed to the screen.

Summary: A magnificent spectacle; one of cinema's finest.

[CSW] -4- An excellent film both from the storytelling aspect and from the special effects which although done in1926 still stand up very well to today's standards. Some of the portrayals evoke emotions that for a silent film are nothing short of amazing. You will be touched.

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