 The Grifters walk the razor's edge of life. Hard-playing, high-rollers, they're con-artists out to make a fast buck the best way they know how. There's Myra (Annette Bening), sleek, sexy, like a panther in search of her prey, she knows what she wants and how to get it - and what she wants is a partner like Roy (John Cusack.) Roy's a master of the "short con" - card tricks, fixed dice, switching $10s for $20s. Myra wants to take him one step deeper, but not if Lilly can help it. Lilly (Anjelica Huston) has been playing the game all her life and now it's time to get out and she wants Roy out too. Two women, one man playing a taut game where winner takes all, and everybody has something to lose... including their life. Another aspect the film deals with is trust or the lack thereof. Our protagonists spend most of their time scamming, conning and tricking people so much that their sense of trust and decency breaks down. They alienate themselves from everyone, and ultimately can't even trust each other. Storyline: Lily works for a bookie, placing bets to change the odds at the track. When her son is hospitalized after an unsuccessful con job and resultant beating, she finds that even an absentee parent has feelings for her child. This causes her own job to go wrong as well. Each of them faces the down side of the grift. Written by John Vogel Reviewer's Note: Reviewed by Jeffrey Kauffman on February 8, 2013 -- The Grifters really should have been one of those "knock it out of the ballpark" hits, and yet quite strangely, it wasn't. Released late in 1990, the film was director Stephen Frears' follow up to his immensely successful Dangerous Liaisons, and it had been a personal pet project of sorts for co-producer Martin Scorsese (one of the film's other co-producers was noted preservationist and restorer Robert A. Harris). Toplining the cast was Anjelica Huston, whose cachet may frankly have not been quite what it was directly after her 1985 Oscar win for Prizzi's Honor, but who had just gotten another Academy Award nomination the year prior to The Grifters for Enemies, A Love Story (she would go on to get a Best Actress nod for The Grifters). Also on hand were John Cusack, who had just enjoyed one of his biggest breakout roles in Say Anything... and Annette Bening, not quite yet the major star she would soon become, but who, in the small world department, was just coming off of Milos Forman's Valmont, another adaptation of the same source material that inspired Dangerous Liaisons. The Grifters was based on a novel by noted pulp fiction writer Jim Thompson (Thompson worked largely uncredited on a couple of Stanley Kubrick films, including The Killing and Paths of Glory, but he wrote the source novels that inspired both versions of The Killer Inside Me and The Getaway). Adapting Thompson's novel for the screen was another noted author, Donald E. Westlake, a writer who had seen several of his own novels adapted (for better or worse) into films. Finally, The Grifters featured yet another memorable score by the inimitable Elmer Bernstein, working a kind of proto-jazz territory that he had helped to introduce to the film medium back in the 1950s. And yet despite largely favorable reviews and an ultimate four Oscar nominations (Frears, Bening and Westlake were nominated along with Huston), The Grifters never became a bona fide hit, and instead had to develop a lot of its long term appeal in the intervening years of cable broadcasts and home video. Perhaps part of the perceived issue with The Grifters is its overall unusually sunny ambience, something that is distinctly at odds with its proto-noir subject matter. A lot of down and dirty films have been set in the amber hued climes of Los Angeles (L.A. Confidential ), but few have so deliberately dabbled in the irony of such a sundrenched environment surrounding the absolutely shady shenanigans of a trio of con artists. (It might be useful to pause for a moment and discuss the word grifter. It really had fallen out of general parlance before this film reinvigorated public awareness of it, and according to several sources, it's a relatively new formulation in any case, evidently appearing in the early years of the twentieth century as a slang term, probably etymologically related to graft. As the film itself exploits in its opening segment, the term was a favorite among the literati, including lyricist Lorenz Hart, who incorporated it into his iconic collaboration with Richard Rodgers in the song The Lady is a Tramp. Basically, a grifter is a swindler, a con artist, a person out to make a quick buck by cheating people.) It might be tempting to call The Grifters a morality tale, except that there's a rather shocking lack of morals on display throughout the film. In a split screen gambit early in the film that even director Stephen Frears admits was rather old fashioned we meet our three main characters: Roy Dillon (John Cusack), a two bit conman whose favorite scam is showing bartenders a $20 bill then quickly switching to a $10 to pay; his girlfriend, Myra Langtry (Annette Bening), a supposedly empty headed sex kitten who uses her feminine wiles to get anything and everything she wants from a series of unsuspecting (usually older) males; and Roy's mother Lilly (Anjelica Huston), the most "professional" of the bunch, an employee of a gangster who uses Lilly in a complicated scheme which lowers the odds on racehorses (a system which has since become impossible with newer technologies). The film perhaps is structurally too convoluted for its own good, with one quick flashback giving us some of Roy's story, and another, much longer one providing some background on Myra, two elements which perhaps could have been handled more artfully in quicker dialogue setups. The main thrust of the story turns into a kind of bizarre family drama where Lilly attempts to get Roy out of the con game, while at the same time Myra decides she needs to arrange a "divorce" for Lilly and Roy (there is more than a hint of incest sprinkled throughout the film). That leads to a series of devastating consequences, as each of these characters spirals into further depths of moral turpitude (and in two cases, even more than that). Another thing which might be at least potentially off putting to some prospective audience members is the fact that the film is about conmen (and women), and thus is perhaps expected to feature some convoluted Sting-esque plot mechanics, when The Grifters is at its heart (black though that heart may be) more of a character study. (The closest thing this film comes to The Sting is in the long flashback sequence giving us some insight into Myra's past.) In this regard, the film is in its own nasty little way a rather splendid follow up to Frears' Dangerous Liaisons. In both films we find a trio of characters attempting (at times not all that seriously) to find a moral center and discovering nothing but the gaping maw of a vacuum. The Grifters, much like its three main characters, isn't quite what it seems to be on its surface. If you're expecting an overly convoluted caper film, you'll probably be at least a little disappointed by this kind of smarmy at times character study. But as a portrait of three destitute characters trying to remain balanced in their own self-imposed vertiginous worlds, the film could hardly be better. The three leads are all exceptional, and Frears directs with his usual flair and economy. Bolstered by some superb supporting performances by the likes of fantastic character actors like Henry Jones and Pat Hingle, The Grifters hopefully will get another chance to hit it out of the ballpark with this new Blu-ray release. While the video and audio here aren't top notch, they're also not half bad. With caveats noted, The Grifters comes Recommended. [CSW] -4.6- I really liked this portrait of what happens to trust as each of the grifters spend most of their time scamming, conning and tricking people so much that their sense of trust and decency breaks down. Even sex becomes a tool and "taking-the-mark" becomes more important and satisfying than anything else in their lives. This film shows the underbelly and mindset of what their lifestyle eventually become. If you want to get a peek at what grifters are, this is a must see film. I was hoping for really good Blu-ray release but it hasn't happened so far. If it ever does I will be sure to pick up that copy too. The current Blu-ray release has poor video and audio qualities and NO SDH or subtitles. Cast Notes: Anjelica Huston (Lilly Dillon), John Cusack (Roy Dillon), Annette Bening (Myra Langtry), Jan Munroe (Guy at Bar), Robert Weems (Racetrack Announcer), Stephen Tobolowsky (Jeweler), Jimmy Noonan (Bartender), Richard Holden [I] (Cop), Henry Jones [I] (Simms), Michael Laskin (Irv), Eddie Jones [I] (Mintz), Sandy Baron (Doctor), Lou Hancock (Nurse), Gailard Sartain (Joe), Noelle Harling (Nurse Flynn). IMDb Rating (10/01/18): 7.4/10 from 97,711 users
 | ||||||||||||||||||||||||||||||||||||
